La mine, c'est le lieu qui met le plus en exergue les disparités sociales : d'un côté ils sont des milliers à descendre dans les entrailles de la terre, de l'autre une poignée s'élève socialement ; d'un côté ils meurent par centaines sous l'effet des coups de grisou, de l'autre ils consolident leurs richesses. Cette dualité, elle traverse aussi Kentucky : d'un côté le black metal atmosphérique asphyxiant, de l'autre l'americana et le folklore héroïque. Panopticon est dans la lutte permanente ! Jordan Vauvert
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-
Swirling guitars, furious drums, vocals that at the same time howl from infinite distance and are right up in your head; everything put into dissonant form with the help of unconventional songwriting. This album is my personal key to the icelanding black metal madness that I've ignored for way too long! Lukas Kaufmann
Even in its prettiest, most celestial moments, the South Dakota trio's sound feels dark and dense and deeply rooted. Bandcamp Album of the Day Aug 24, 2021
A truly stellar death/doom album with heavy doses of black metal. Tracks like Isolation, Child of Light, and Broken Hymns deliver the sorrowful and icy tone of this album, elevated by the stirring cello compositions of Raphael Weinroth-Browne. The album delivers a deeply satisfying crescendo in Becoming Intangible before stirring the soul once again with Epilogue. Matt Richardson